Illusions – like Swan Lake - Biographies

Illusionen - wie Schwanensee. Daria Sukhorukova, Cyril Pierre, Ensemble. © Charles Tandy Illusionen - wie Schwanensee. Lucia Lacarra, Tigran Mikayelyan. © Wilfried Hösl Illusionen - wie Schwanensee. Ensemble. © Charles Tandy

Illusions – like Swan Lake

John Neumeier

Music by Peter I. Tschaikowsky
Nationaltheater

Friday, 14. June 2013

Choreographie und Inszenierung


John Neumeier. ©Steven Haberland
John Neumeier
Since 1973 John Neumeier has been Artistic Director and Chief Choreographer of The Hamburg Ballet, since 1996 he has been "Ballettintendant" (General Manager).

He was born in 1942 in Milwaukee, Wisconsin, U.S.A., where he also received his first dance training. He went on to study ballet both in Copenhagen and at the Royal Ballet School in London. He acquired a Bachelor of Arts degree in English Literature and Theater Studies from Marquette University, Wisconsin, where he created his first choreographic works. In 1963 he was "discovered" in London by Marcia Haydée and Ray Barra, leading John Cranko to engage him at the Stuttgart Ballet, where he progressed to solo dancer.

In 1969 Ulrich Erfurth appointed Neumeier as Director of Ballet in Frankfurt, where he soon caused a sensation. This was largely due to his new interpretations of such well-known ballets as The Nutcracker, Romeo and Juliet  and Daphnis and Chloe. In 1973 August Everding brought him to Hamburg. Under Neumeier's direction The Hamburg Ballet became one of the leading ballet companies in the German dance scene and soon received international recognition.


Set and Costumes


Jürgen Rose


Der König


Lukas Slavický Foto: S. Kletzsch
Lukáš Slavický

Principal dancer

Lukáš Slavický was born in Prague and received his training at the conservatory where his father Jaroslav Slavický is director of the dance department. Since both his parents were ballet dancers dance was in his blood from boyhood and he very soon attracted attention. While still a student he danced solo parts in Nutcracker and La Fille mal gardée. When the school guested at the theatre in Brno he danced the Don Quixote pas de deux. For this and many other performances he chose Zuzana Zahradníková as his partner and together they came to Munich in 1999, Zuzana as apprentice and Lukáš as corps de ballet dancer.

In 1997 Lukáš Slavický won the first prize at the ballet competition in Vienna, was in the finals of the Prix de Lausanne in 1998 and was awarded the third prize at the Nureyev competition in Budapest the same year, and again, one year later, in Nagoya, Japan. Even before his first professional engagement he was invited to dance at galas, e.g. in 1997 and 1998 in Ludwigsburg for the Birgit-Keil-Foundation, and again at the gala on the occasion of the award of the German Tanzpreis to Birgit Keil. In 1999 he appeared at the Kremlin Palace in Moscow with the Jeune Ballet de France and at the Nureyev memorial gala in Budapest.

Since the season 1999/2000 Lukáš Slavický has been a member of the Bavarian State Ballet. Even in his first year in the corps de ballet he was given small solo parts, e.g. in the pas de six in Giselle and as Bird-Spirit in A Cinderella Story by Neumeier. At the beginning of the 2000/2001 season he made his debut as Romeo in John Cranko’s ballet Romeo and Juliet and as Prince in Neumeier’s A Cinderella Story, in both cases as partner of Anna Villadolid. The same season Lucinda Childs created one of the leads in her Händel/Corelli for him. In December 2001 he danced Jean de Brienne in Raymonda for the first time and danced in Balanchine’s Brahms-Schönberg Quartett as well a created role in Jacopo Godani’s After Dark. With the beginning of the 2002/2003 season he was appointed first soloist and in 2003/2004 he was appointed principal.

In May 2003, he received the Prix Benois in the category “best male dancer”.

In 2002/2003 he danced Basilio in Don Quijote (Ray Barra), Lenski in Onegin (John Cranko), After Dark (Jacopo Godani), Lysander in Ein Sommernachtstraum (John Neumeier) und Solo in Jupiter-Sinfonie (John Neumeier).

Debut 2003/2004
Günther in Nutcracker (J. Neumeier,)
Prinz Désiré and Blue Bird in The Sleeping Beauty (M. Petipa, I. Liška)
Bridegroom in Svadebka (J. Kylián)
Apartment (M. Ek)
Brahms-Schönberg Quartett (G. Balanchine) the second detail (W. Forsythe)

Debut 2004/2005
Limb`s Theorem (W. Forsythe)
Agon
(G. Balanchine)
Five Tangos (H. van Manen)
Solo (H. van Manen)

Debut 2005/2006
Ricercare (I. Liška), creation for the Terpsichore-Gala V
Octavian in The silver rose (G. Muphy), creation
Century Rolls (D. Bombana)
My way (S. Toss)

Debut 2006/2007
Konrad in Le Corsaire (M.Petipa, I.Liška)

Debut 2007/2008
Ferdinand in Der Sturm (J. Mannes), creation
Große Fuge (H. van Manen)
Aus Holbergs Zeit (J. Cranko)
Adagio Hammerklavier (H. van Manen)

Debuts 2008/2009
Benvolio in Romeo and Juliet (J. Cranko)
Mercutio in Romeo und Juliet (J. Cranko)
Golden Slave in Shéhérazade (M.Fokine)
Armand and Gaston Rieux in Die Kameliendame (J. Neumeier)
Zugvögel (J. Kylián), creation

Debut 2009/2010
Hilarion in Giselle - Mats Ek (M. Ek)

Debut 2010/2011
Man 2 in My Ravel: Whichever Way he Looks... (J. Mannes)
Petruccio in The Taming of the Shrew (J. Cranko)
Count Alexander in Illusions - Like Swan Lake (J. Neumeier)

Debut 2011/2012
Basilio in Don Quijote (M. Petipa, new choreography by R. Barra, A. Gorski, Tradition)
Voices of Spring (F. Ashton)
The Eternal One in Song of the Earth (K. MacMillan)
1. Pas de deux in Goldberg-Variations (J. Robbins)
Gods and Dogs (J. Kylián)
Colas in La Fille mal gardée (F. Ashton)

Debut 2012/2013
Solor in La Bayadère (M. Petipa/P. Bart)
1. Solo-Boy in Choreartium (L. Massine)
The Moor's friend in The Moor's Pavane (José Limón)
Prometheus in Helden (T. Kohler)
Der König in Illusionen - wie Schwanensee (J. Neumeier)

Debut 2013/2014
Konzert für Violine und Orchester (A. Barton)


Prinzessin Natalia


Ekaterina Petina.©Sascha Kletzsch
Ekaterina Petina
First Soloist

Ekaterina Petina was born in Sevastopol. Ten years old she started training at the Waganova Academy in St. Petersburg. In 2001 she assumed her first engagement at the Mariinsky Theatre St. Petersburg where she among others danced solo parts in Balanchine’s Rubies, Forsythe’s In the Middle, Somewhat Elevated, Approximate Sonata, Steptext and several fairies in Sleeping Beauty. She also participated in various Mariinsky Theatre tours across Japan, England, China, Canada and Mexico.

In 2009/2010 she became a Soloist and since the beginning of the season 2011/12 she performs as First Solist at the Bavarian State Ballet.

Debut 2009/2010
Olympia in Die Kameliendame (J. Neumeier)
Odaliske in Shéhérazade (M. Fokine)
Girlfriend in Raymonda (M. Petipa)
Odalisk in Le Corsaire (M. Petipa, I. Liška)
Pas de deux 2 in Artifact (W. Forsythe)
Rival in Série Noire - A choreographic murder mystery (T. Kohler)

Debut 2010/2011
Woman 3 in My Ravel: Whichever Way he Looks... (J. Mannes)
Nymph in My Ravel: Daphnis and Chloé (T. Kohler)
Lilac Fairy, Violente fairy, Duchess and Rubin in Sleeping Beauty (M. Petipa(I. Liška)
Pas de Six in The Taming of the Shrew (J. Cranko)
Bianca in The Taming of the Shrew (J. Cranko)
Princess Odette in Illusions - like Swan Lake (J. Neumeier)
Dulcinea in Don Quijote (M. Petipa, new choreography by R. Barra, A. Gorski, Tradition)
Mercedes in Don Quijote (M. Petipa, new choreography by R. Barra, A. Gorski, Tradition)

Debut 2011/2012
Katharina in The Taming of the Shrew (J. Cranko)
Princess Natalia in Illusions - like Swan Lake (J. Neumeier)
Louise in The Nutcracker (J. Neumeier)
Broken Fall (R. Maliphant)
1. Pas de trois in Goldberg-Variationen (J. Robbins)
1. Pas de deux in Goldberg-Variationen (J. Robbins)
Odette/Odile in Swan Lake (Ray Barra/Lew Iwanow/Marius Petipa)

Debut 2012/2013
Nikiya in La Bayadère (M.Petipa/P. Bart)
2. Pas de deux in Goldberg-Variations (J.Robbins)
The Woman in Song of the Earth (K. MacMillan)
6. Variation in Birthday Offering (F. Ashton)

Debut 2013/2014
Hippolyta/Titania in A Midsummer Night's Dream (J. Neumeier)

Der Mann im Schatten


Maxim Chashchegorov
First Soloist

Maxim Chashchegorov, born in Russia, received his dance education at the Ballet Academy in St Petersburg. Directly after his graduation he became a member of the corps de ballet from the Marijinsky Theatre and started soon to impersonate bigger roles as the prince Siegfried / Rotbart in Swanlake, Blue bird in Sleeping Beauty, and was for example to see in more modern roles like Four Temperaments (G. Balanchine) and different choreographies of William Forsythe.

After his guest-performance as Blue Bird in spring 2007, he now is engaged as a soloist of the Bavarian State Ballet from the season 2007/2008 on. Since 2009/2010 he is a first Soloist.

Debut 2007/2008
Pas de six and Spanish Dance in Swanlake (R. Barra)
Pas de deux in the second movement of Brahms-Schönberg-Quartett (G. Balanchine)
White Couple in Katalyse (J. Cranko)
Alonso in The Tempest (J. Mannes)

Debut 2008/2009
Ghost Birds in A Cinderella Story (J. Neumeier)
Count Paris in Romeo and Juliet (J. Cranko)
Athlet in Les Biches (B. Nijinska)
Benno in Swanlake (R. Barra)
Des Grieux in Lady of the Camellias (J. Neumeier)
Bernard in Raymonda (M. Petipa)

Debut 2009/2010
Bernard de Ventadour in Raymonda (M. Petipa)
Pas de deux 2 in Artifact (W. Forsythe)
The Russian soloist in Série Noire - A choreographic murder mystery (T. Kohler)
Aus Holbergs Zeit (J. Cranko), Pas de deux

Debut 2010/2011
First Soloist in Série Noire - a choreographic murder mystery (T. Kohler)
Lucentio in The Taming of the Shrew (J. Cranko)
Prince Désiré in Sleeping Beauty (M. Petipa, I. Liška)
Eduardo in Don Quijote (R. Barra nach M. Petipa, A. Gorski, Tradition)

Debut 2011/2012
El Trianero, Matador in Don Quijote (M. Petipa, new choreography by R. Barra, A. Gorski, Tradition)
First Soloist in Scènes de ballet (F. Ashton)
Günther in The Nutcracker (J. Neumeier)
The Man in the Shadows in Illusions - like Swan Lake (J. Neumeier)
2. Pas de deux in Goldberg-Variationen (J. Robbins)
Lucentio in The Taming of the Shrew (J. Cranko)

Debut 2012/2013
4. Solo-Boy in Choreartium (L. Massine)
Solor, a warrior in La Bayadère (Marius Petipa, Patrice Bart)
Birthday Offering (F. Ashton)

Odette


Lisa-Maree Cullum.©Sascha Kletzsch
Lisa-Maree Cullum.
Principal dancer

Lisa-Marre Cullum, born in New Zealand, trained in New Zealand, Sidney and Monte Carlo. She started her professional carreer with the English National Ballet. 
From 1990 to 1998 Lisa-Maree Cullum was a leading ballerina with the Ballet of the Deutsche Oper Berlin, dancing all the ballerina roles (Giselle, Sleeping Beauty, Swan Lake etc) as well as a large modern repertory. 

Since season 1998/99 she dances with the Bayerische Staatsballett, since 1999/2000 as a principal.
She started with roles like Olga in Onegin (J. Cranko), Nikiya in La Bayadère (P. Bart), Manon, Prudence in Lady of the Camellias (J. Neumeier), and Terpsichore in Balanchines Apollo. In the modern repertory she danced leading roles in Peter Martin`s Fearful Symmetries and Zakouski, as well as William Forsythe`s Artifact II . 1999 she created the role of the Virgin Mary in Grand-Maître`s Emma B.
Since then dancing a great variety of leading roles: title role in A Cinderella Story (J. Neumeier), Manon in Kenneth MacMillan’s Manon, Juliet in John Cranko’s Romeo and Juliet, Tatjana in Cranko’s Onegin, Swan Lake, Giselle, Kitri in Don Quijote, Balanchine’s Who Cares?, Concerto Barocco, The Four Temperaments, Brahms-Schoenberg Quartet, Jerome Robbins’ In the Night and many others. She created the role of Raymonda in Ray Barra’s new Raymonda production.

In 1988 she was gold-medalist at the Adéline Genée-Competition in London and the Prix de Lausanne, in 1995 winner of the Leonide Massine-Award in Positano/Italy.
In 1998, Lisa-Maree Cullum was acclaimed "dancer of the year" by a leading Munich newspaper. She was nominated for the “Prix Benois” in Moskau 2002 and she was acclaimed  “Dancer of the Year 2002” for her outstanding interpretation of the titel role in Sleeping Beauty with the Ballet of the Opera of Rome. She has appeared as a guest dancer on stages worldwide, like Kirov Ballet/St Petersburg and Royal Danish Ballet/Kopenhagen. 
In 2008, she was awarded the honorary title "Kammertänzerin" by the Bavarian Ministry of Culture.

Debut 2004/2005
Nora I in Limb’s Theorem (W. Forsythe)
Two (H. van Manen)
Five Tangos (H. van Manen)                                                           Agon (G. Balanchine)

Debut 2005/2006
Sophie in The Silver Rose (G. Murphy)
Century Rolls (D. Bombana), creation
Sylvia Pas de deux (G. Balanchine)

Debut 2006/2007
Medora in Le Corsaire (M. Petipa, I. Liška)

Debut 2008/2009
Hostess in Les Biches (B. Nijinska)
Gulnara in Le Corsaire (M. Petipa/I. Liška
Giselle in Once Upon An Ever After (T. Kohler), creation

Debut 2009/2010
Pas de deux 2 in Artifact (W. Forsythe)

Debut 2012/2013
4. Solo-Girl in Choreartium (L. Massine)
Leading ballerina (7th variation and pas de deux) in Birthday Offering (F. Ashton)
Unitxt (R. Siegal), Creation

Debut 2013/2014
Helena in A Midsummer Night's Dream (J. Neumeier)
Priestess in Le Sacre du printemps (M. Wigman)

Prinzessin Claire


Ivy Amista.©Sascha Kletzsch
Ivy Amista
First soloist

Ivy Amista, grew up in São Paolo, Brasil, where she achieved professional level at the Camilla Ballet School. She won the gold medal at the IX. International Seminar of Dance in Brasilia. Receiving a scholarship for the Munich Ballet Academy/Heinz-Bosl-Stiftung she came to Munich and became a member of the company of the Bavarian State Ballet in 2001.

In October of the same year she was invited by the Heinz-Bosl-Stiftung to perform Paquita under the assembly of Konstanze Vernon. At the beginning of the season 2004/2005 Ivan Liška made her Soloist. She was promoted to First Soloist at the beginning of the season 2007/2008.

In autumn 2005 Ivy Amista was awarded with the Bayerischer Kunstförderpreis-Dance.

Debut 2003/2004
Pas Fabergé, Fairy Fleur de farine, Fairy Miettes qui tombent in Sleeping Beauty (M.Petipa/I. Liška)
Six Dances (J. Kylián)
Friends in Raymonda (R. Barra)
3 Solo Ladies in Brahms-Schönberg-Quartett (G. Balanchine)
Olympia in The Lady of the Camelias (J. Neumeier)

Debut 2004/2005
Princess Florine in The Sleeping Beauty (M. Petipa/I. Liska)
First Shadow Variation and Nikija in La Bayadère (P. Bart)

Debut 2006/2007
Pas de six in Giselle (P. Wright)
Charlotte, fiancé of Prince Siegfried in Swan Lake (R. Barra)
Odaliske and Gulnara in Le Corsaire (M. Petipa, I. Liska)
Solo in Song of the Earth (K. MacMillan)

Debut 2007/2008
Olga in Onegin (J. Cranko)
Solo-Ariel in Der Sturm (J. Mannes)
Pas de deux in the third movement of Brahms-Schönberg-Quartett (G. Balanchine)
Große Fuge (H. van Manen)
Ebony Concerto (J. Cranko)

Debut 2008/2009
Second Variation in Once Upon An Ever After (T. Kohler), creation
Lady in blue in Les Biches (B. Nijinska)
Manon Lescaut in Die Kameliendame (J. Neumeier)

Debut 2010/2011
Nymph in My Ravel: Daphnis and Chloé (T. Kohler)
Solo in Pas Fabergé 3rd Act in Sleeping Beauty (M. Petipa, I. Liška)
Princess Aurora in Sleeping Beauty (M. Petipa, I. Liška)
Bianca in The Taming of the Shrew (J. Cranko)
Princess Claire in Illusions - like Swan Lake (J. Neumeier)
Kitri in Don Quijote (M. Petipa, new choreography by R. Barra, A. Gorski, Tradition)

Debut 2011/2012
Second Dream Variation in Don Quijote (M. Petipa, new choreography by R. Barra, A. Gorski, Tradition)

Debut 2012/2013
1. Solo-Girl in Choreartium (L. Massine)
Lise in La Fille mal gardée (F. Ashton)
Gamzatti, Radscha´s daughter in La Bayadère (Marius Petipa, Patrice Bart)
2. Variation in Birthday Offering (F. Ashton)

Debut 2013/2014
1. Pas de trois and 1. Pas de deux in Goldberg-Variations (J. Robbins)
Julia in Romeo and Juliet (J. Cranko)
3. shade-variation in La Bayadère (M. Petipa/ P. Bart)
Marie in The Nutcracker (J. Neumeier)
Hippolyta/Titania in A Midsummer Night's Dream (J. Neumeier)

Graf Alexander


Matej Urban.©Sascha Kletzsch
Matej Urban
First Soloist

Matej Urban was born in Prague and trained at the National Conservatorium Prague. Then he danced at the National Theatre of Prague for two seasons.

He became a member of the Corps de ballet of the Bavarian State Ballet in the season 2008/2009, became Soloist in the season 2010/2011 and dances as First Solist since the beginning of the season 2011/12.

Debut 2008/2009
Sidemen in Les Biches (B. Nijinska)

Debut 2009/2010
Albrecht in Giselle - Mats Ek (M. Ek)

Debut 2010/2011
Man 2 in My Ravel: Whichever Way he Looks... (J. Mannes)
Briaxis in My Ravel: Daphnis and Chloé (T. Kohler)
Albrecht in Once Upon an Ever After (T. Kohler)
Solo in Pas Fabergé 3rd Act in Sleeping Beauty (M. Petipa, I. Liška)
Pas de Six in The Taming of the Shrew (J. Cranko)
Count Alexander in Illusions - like Swan Lake (J. Neumeier)
Fernando in Don Quijote (M. Petipa, new choreography by R. Barra, A. Gorski, Tradition)

Debut 2011/2012
The Clown in The Girl and the Knifethrower (S. Sandroni)
Gods and Dogs (J. Kylián)
Pas der six in Der Widerspenstigen Zähmung (J. Cranko)
Rotbart in Swan Lake (Ray Barra/Lew Iwanow/Marius Petipa)
Colas in La Fille mal gardée (F. Ashton)
Sommer 2012
Gala for Tanya Pearson Taming-Pas de deux, Gala Version

Debut 2012/2013
Broken Fall (R. Maliphant)
1. Solo-Boy in Choreartium (L. Massine)
'Man in the Shadows' in Illusions - like Swan Lake (J. Neumeier)
Birthday Offering (F. Ashton)
BIPED (M. Cunningham)

Debut 2013/2014
Lysander in A Midsummer Night's Dream (J. Neumeier)
Theseus/Oberon in A Midsummer Night's Dream (J. Neumeier)
Romeo in Romeo and Juliet (J. Cranko)

Prinz Siegfried / Prinz Leopold


Cyril Pierre.©Sascha Kletzsch
Cyril Pierre

Principal dancer

Cyril Pierre was born in Nancy, France, and trained at the Conservatoire of his native town, before joining Serge Golovine's class at the Ballet School of the Opéra National de Paris.
Having graduated, he was engaged at Roland Petit's Ballet National de Marseille, where he was promoted to first solist in 1990 and to étoile (Principal) in 1992. Four years later, Helgi Tomasson invited him to join the San Francisco Ballet as a Principal Dancer. His San Francisco repertory included all major classical roles, as well as contemporary creations by Helgi Tomasson, James Kudelka and others.

Together with his partner Lucia Lacarra he joined the Bavarian State Ballet as a Principal Dancer in autumn 2002, dancing such important roles as Onegin, Prince Siegfried (Swanlake) and Abderakhman (Raymonda) in his very first Munich season.

During season 2003-04, he enlarged his repertoire with Günther in John Neumeier's Nutcracker, Oberon/Theseus in Neumeier's Midsummer Night's Dream and Prince Désiré in The Sleeping Beauty (Marius Petipa/Ivan Liška).

As a guest dancer, Cyril appears on stages world wide, in full performances (Berlin, Prague, Naples, Milan), as well as in galas, mostly together with his partner Lucia Lacarra.

Debut 2004/2005
Romeo und Mercutio in Romeo und Julia (J. Cranko)
Gaston in Die Kameliendame (J.Neumeier)
Black Cake (H. van Manen)
Bella Figura (J. Kylián)
Agon (G. Balanchine)
Solor in La Bayadère (P.Bart)

Debut 2005/2006
Baron Ochs in The Silver Rose/Die silberne Rose (G. Murphy), creation
Century Rolls (D. Bombana), creation
Hilarion in Giselle (P. Wright)

Debut 2006/2007
Prinz Albrecht in Giselle (P. Wright)

Debut 2006/2007
Lankedem and Birbanto in Le Corsaire (M. Petipa, I. Liška)

Debut 2007/2008
Prospero in Der Sturm (J. Mannes)
Große Fuge (H. van Manen)
Adagio Hammerklavier (H. van Manen)

Debut 2008/2009
Vater in A Cinderella Story (J. Neumeier)
Tybalt in Romeo and Juliet (J. Cranko)
Shariar in Shéhérazade (M. Fokine)
Center Man in Les Biches (B. Nijinska)
Zugvögel (J. Kylián), creation

Debut 2009/2010
Abderakham in Raymonda (M. Petipa)
Freund der Ballerina des 20. Jahrhunderts in Série Noire - A choreographic murder mystery (T. Kohler)

Debut 2010/2011
Tsar in Série Noire - A choreographic murder mystery (T. Kohler)
Pas de deux in Artifact (W. Forsythe)
Man 1 in My Ravel: Whichever Way he Looks... (J. Mannes)
Carabosse in Sleeping Beauty (M. Petipa, I. Liška)
Prince Leopold in Illusions - Like Swan Lake (J. Neumeier)
Don Quijote in Don Quijote (M. Petipa, new choreography by R. Barra, A. Gorski, Tradition)
El Trianero, Matador in Don Quijote (M. Petipa, new choreography by R. Barra, A. Gorski, Tradition)

Debut 2011/2012
Drosselmeier in The Nutcracker (J. Neumeier)
Hortensio in The Taming of the Shrew (J. Cranko)
Man in Song of the Earth (K. MacMillan)
The Fiancé in Las Hermanas (K. MacMillan)
Widow Simone in La Fille mal gardée (F. Ashton)


Debut 2012/2013
1. Pas de deux in Goldberg-Variationen (J. Robbins)
The Moor in The Moor's Pavane (José Limón)
Partner der Primaballerina und Pas de deux in Birthday Offering (F. Ashton)

Debut 2013/2014
Lord Capulet in Romeo and Juliet (J. Cranko)
Zettel in A Midsummer Night's Dream (J. Neumeier)
The Wise One in Le Sacre du printemps (M. Wigman)


Königinmutter


Séverine Ferrolier.©Sascha Kletzsch
Séverine Ferrolier
First Soloist
Séverine Ferrolier, born in Toulon/France, was trained in the Centre de Danse Christiane Espitalier de La Valette. Having graduated, she danced with the ballet at the Opéra de Toulon, the Ballet National de Nancy under the direction of Pierre Lacotte and with the English National Ballet in London. Between 1997 and 2004 she was engaged at Leipzig Ballet under the direction of Uwe Scholz, since 2002 as a first soloist. Scholz created several parts for her, e.g. in Bruckner 8, Non, je ne regrette rien and h-Moll- Messe. She also danced Mathilde in Scholz' Le Rouge et le Noir.

In 2004 she became a member of the Bavarian State Ballet, giving her debut with the company in George Balanchine's Brahms-Schoenberg Quartet during the company's guest performances in Athens in June. Her Munich repertoire includes the Lilac Fairy in Sleeping Beauty (M. Petipa/I. Liška), Olympia in Neumeier's Lady of the Camellias and prominent solo parts in Forsythe's Limb's Theorem.

Debut 2005/2006
Die Nacht, Pavlova solo (N. Legat)
Marschallin in Die silberne Rose (G.Murphy)
First and third solo in Schattenakt in La Bayadère (P. Bart)
Clémence in Raymonda (R. Barra)
Pas de quatre (L. Jacobson)

Debut 2006/2007
Second Pas de deux in Century Rolls (D. Bombana)
Charlotte, fiancé of Prince Siegfried in Swan lake (R. Barra)
Odaliske and Gulnara in Le Corsaire (M. Petipa, I. Liška)

Debut 2007/2008
Miranda in Der Sturm (J. Mannes), creation
Große Fuge (H. van Manen)
Pas de deux in the fourth movement of  Brahms-Schönberg-Quartett (G. Balanchine)
Adagio Hammerklavier (H. van Manen)
Violakonzert/II (M. Schläpfer), creation
Aus Holbergs Zeit (J. Cranko)

Debut 2008/2009
Mutter in A Cinderella Story (J. Neumeier)
Woman in Blue in Les Biches (B. Nijinska)
Aurora in Once Upon An Ever After (T. Kohler), creation
Marguerite in Die Kameliendame (J. Neumeier)
Zugvögel (J. Kylián), Kreation
Henriette in Raymonda (M. Petipa)

Debut 2010/2011
Bathilde, Myrtha in Gisella-Mats Ek (M.Ek)
Ballerina in Série Noire - A choreographic murder mystery (T. Kohler)
Pas de deux in Artifact (W. Forsythe)
Woman 2 in My Ravel: Whichever Way he Looks... (J. Mannes)
Lykanion in My Ravel: Daphnis and Chloé (T. Kohler)
Lady of the Street in The Taming of the Shrew (J. Cranko)
The Queen Mother in Illusions - Like Swan Lake (J. Neumeier)
Dulcinea in Don Quijote (M. Petipa, new choreography by R. Barra, A. Gorski, Tradition)

Debut 2011/2012
Nieves in Don Quijote (M. Petipa, new choreography by R. Barra, A. Gorski, Tradition)
Five Brahms Waltzes In The Manner Of Isadora Duncan (F. Ashton)

Debut 2012/2013
The Moor's wife in The Moor's Pavane (José Limón)
Soloist 2. suit in Choreartium (L. Massine)
Athena Parthenos in Heroes (T. Kohler)

Debut 2013/2014
Lady Capulet in Romeo and Juliet (J. Cranko)