Terence Kohler

rosalie

Christian Kass

Lera Auerbach
Composer


Lera Auerbach was born in the city of Chelyabinsk at the gateway to Siberia. After writing her first opera at twelve years of age, she was invited for a concert tour to the United States in 1991, where continued her studies in piano and composition at the Juilliard School in New York. Auerbach has been awarded the prestigious Hindemith Prize by the Schleswig-Holstein Musik Festival in Germany, and Deutschlandfunk’s Förderpreis. She received a Paul and Daisy Soros Fellowship, recently was selected as a Young Global Leader by the World Economic Forum in Davos, Switzerland and received the ECHO Klassik award 2012 for The Little Mermaid.

A virtuoso pianist and composer, Lera Auerbach is one of today’s most sought after and exciting creative voices. Her boldly imaginative and evocative compositions are championed by today's leading musicians, conductors, choreographers, and opera houses. Ms. Auerbach's uniquely personal interpretations of the standard keyboard repertoire are making her a favorite of audiences worldwide. She regularly appears as soloist in the world’s great halls, and her published oeuvre includes more than 90 works of opera, ballet, symphonic and chamber music.

Alfred Schnittke
Composer 


Alfred Schnittke was born on 24 November 1934 in Engels, on the Volga River, then in the Soviet Union. Schnittke began his musical education in 1946 in Vienna where his father, a journalist and translator, had been posted. In 1948 the family moved to Moscow, where Schnittke studied piano and received a diploma in choral conducting. From 1953 to 1958 he studied counterpoint and composition with Yevgeny Golubev and instrumentation with Nikolai Rakov at the Moscow Conservatory. Schnittke completed the postgraduate course in composition there in 1961.
In 1962, Schnittke was appointed instructor in instrumentation at the Moscow Conservatory, a post which he held until 1972. Thereafter he supported himself as a composer of film scores; by 1984 he had scored more than 60 films.
Noted, above all, for his hallmark "polystylistic" idiom, Schnittke has written in a wide range of genres and styles. His Concerto Grosso No. 1 (1977) was one of the first works to bring his name to prominence. It was popularized by Gidon Kremer, a tireless proponent of his music.
Many of Schnittke's works have been inspired by Kremer and other prominent performers, including Yury Bashmet, Natalia Gutman, Gennady Rozhdestvensky and Mstislav Rostropovich. Schnittke first came to America in 1988 for the Making Music Together Festival in Boston and the American premiere of Symphony No. 1 by the Boston Symphony Orchestra. He came again in 1991 when Carnegie Hall commissioned Concerto Grosso No. 5 for the Cleveland Orchestra as part of its Centennial Festival, and again in 1994 for the world premiere of his Symphony No. 7 by the New York Philharmonic and the American premiere of his Symphony No. 6 by the National Symphony.
Schnittke’s first opera, Life with an Idiot, was premiered in Amsterdam (April 1992). His two new operas, Gesualdo and Historia von D. Johann Fausten were unveiled in Vienna (May 1995) and Hamburg (June 1995) respectively.
Schnittke has been the recipient of numerous awards and honors, including Austrian State Prize in 1991, Japan's Imperial Prize in 1992, and, most recently the Slava-Gloria-Prize in Moscow in June 1998. More than 50 compact discs devoted exclusively to his music have been released in the last ten years.
Beginning in 1990, Schnittke resided in Hamburg where he died after a stroke in August 1998.

Photo: Mara Eggert

Myron Romanul
Born in Baltimore,studied in Boston.
Debut as piano soloist with Boston Symphony Orcherstra at age of 11
Performed as soloist and member of Boston Symphony Orchestra and Boston Pops Orchestra with Seiji Ozawa, Kurt Mazur, Arthur Fiedler, John Williams and others
Won Grammy Award with New England Conservatory Ragtime Ensemble in 1973 for Best Classical Chamber Music.
Assistant Music Director, Boston Lyric Opera
Principal Conductor Boston Ballet
Conductor & Solo Pianist, Stuttgart Ballet, 1985-1990
2. Kapellmeister & Assistant GMD, Badische Staatstheater Karlsruhe, 1990-1994
1. Kapellmeister & Stellvertreter GMD, Staatstheater Mainz, 1994-1997
1. Kapellmeister, Aalto Theater Essen
Music Director, Fairbanks Summer Arts Festival, since 1985
Principal Guest Conductor, Central Massachusetts Symphony Orchestra, since 1985
Guest Conductor, Ankara State Theater, since 1999
Also play Cimbalom (Hungarian dulcimer), performed with Pierre Boulez & Speculum Musicae, and recorded film score to Gorky Park

http://www.myron-romanul.com/

Lukáš Slavický

Principal dancer

Lukáš Slavický was born in Prague and received his training at the conservatory where his father Jaroslav Slavický is director of the dance department. Since both his parents were ballet dancers dance was in his blood from boyhood and he very soon attracted attention. While still a student he danced solo parts in Nutcracker and La Fille mal gardée. When the school guested at the theatre in Brno he danced the Don Quixote pas de deux. For this and many other performances he chose Zuzana Zahradníková as his partner and together they came to Munich in 1999, Zuzana as apprentice and Lukáš as corps de ballet dancer.

In 1997 Lukáš Slavický won the first prize at the ballet competition in Vienna, was in the finals of the Prix de Lausanne in 1998 and was awarded the third prize at the Nureyev competition in Budapest the same year, and again, one year later, in Nagoya, Japan. Even before his first professional engagement he was invited to dance at galas, e.g. in 1997 and 1998 in Ludwigsburg for the Birgit-Keil-Foundation, and again at the gala on the occasion of the award of the German Tanzpreis to Birgit Keil. In 1999 he appeared at the Kremlin Palace in Moscow with the Jeune Ballet de France and at the Nureyev memorial gala in Budapest.

Since the season 1999/2000 Lukáš Slavický has been a member of the Bavarian State Ballet. Even in his first year in the corps de ballet he was given small solo parts, e.g. in the pas de six in Giselle and as Bird-Spirit in A Cinderella Story by Neumeier. At the beginning of the 2000/2001 season he made his debut as Romeo in John Cranko’s ballet Romeo and Juliet and as Prince in Neumeier’s A Cinderella Story, in both cases as partner of Anna Villadolid. The same season Lucinda Childs created one of the leads in her Händel/Corelli for him. In December 2001 he danced Jean de Brienne in Raymonda for the first time and danced in Balanchine’s Brahms-Schönberg Quartett as well a created role in Jacopo Godani’s After Dark. With the beginning of the 2002/2003 season he was appointed first soloist and in 2003/2004 he was appointed principal.

In May 2003, he received the Prix Benois in the category “best male dancer”.

In 2002/2003 he danced Basilio in Don Quijote (Ray Barra), Lenski in Onegin (John Cranko), After Dark (Jacopo Godani), Lysander in Ein Sommernachtstraum (John Neumeier) und Solo in Jupiter-Sinfonie (John Neumeier).

Debut 2003/2004
Günther in Nutcracker (J. Neumeier,)
Prinz Désiré and Blue Bird in The Sleeping Beauty (M. Petipa, I. Liška)
Bridegroom in Svadebka (J. Kylián)
Apartment (M. Ek)
Brahms-Schönberg Quartett (G. Balanchine) the second detail (W. Forsythe)

Debut 2004/2005
Limb`s Theorem (W. Forsythe)
Agon (G. Balanchine)
Five Tangos (H. van Manen)
Solo (H. van Manen)

Debut 2005/2006
Ricercare (I. Liška), creation for the Terpsichore-Gala V
Octavian in The silver rose (G. Muphy), creation
Century Rolls (D. Bombana)
My way (S. Toss)

Debut 2006/2007
Konrad in Le Corsaire (M.Petipa, I.Liška)

Debut 2007/2008
Ferdinand in Der Sturm (J. Mannes), creation
Große Fuge (H. van Manen)
Aus Holbergs Zeit (J. Cranko)
Adagio Hammerklavier (H. van Manen)

Debuts 2008/2009
Benvolio in Romeo and Juliet (J. Cranko)
Mercutio in Romeo und Juliet (J. Cranko)
Golden Slave in Shéhérazade (M.Fokine)
Armand and Gaston Rieux in Die Kameliendame (J. Neumeier)
Zugvögel (J. Kylián), creation

Debut 2009/2010
Hilarion in Giselle - Mats Ek (M. Ek)

Debut 2010/2011
Man 2 in My Ravel: Whichever Way he Looks... (J. Mannes)
Petruccio in The Taming of the Shrew (J. Cranko)
Count Alexander in Illusions - Like Swan Lake (J. Neumeier)

Debut 2011/2012
Basilio in Don Quijote (M. Petipa, new choreography by R. Barra, A. Gorski, Tradition)
Voices of Spring (F. Ashton)
The Eternal One in Song of the Earth (K. MacMillan)
1. Pas de deux in Goldberg-Variationen (J. Robbins)
Gods and Dogs (J. Kylián)
Colas in La Fille mal gardée (F. Ashton)

Debut 2012/2013
Solor in La Bayadère (M. Petipa/P. Bart)
1. Solo-Boy in Choreartium (L. Massine)
The Moor's friend in The Moor's Pavane (José Limón)
Prometheus in Helden (T. Kohler)

Wlademir Faccioni
First Soloist

Wlademir Faccioni was born in Brazil and was trained in the Munich Ballett-Akademie/Heinz-Bosl-Stiftung. In 2002 he joined the Bavarian State Ballet as an apprentice and became a member of the corps de ballet in January 2003.

His repertoire includes Jiří Kylián's Six Dances and Svadebka, Hans van Manen’s Solo and a prominent part in Itzik Galilis So nah so fern.

His first choreography Vivace (on music by Vivaldi) was created in 2004 as part of the State Ballet’s Young Choreographers Programme.

He was promoted to a Soloist at the beginning of the season 2007/2008 and dances as a First Soloist since the beginning of the season 2011/12.

Debuts 2007/2008
Hilarion in Giselle (Ballett und Wildnis)
Caliban in Der Sturm (Mannes), creation
Ebony Concerto (J. Cranko)
Cambio d´abito (S. Sandroni), creation

Debut 2009/2010
Zugvögel (J. Kylián), creation

Debut 2010/2011
Detective in Série Noire - A choreographic murder mystery (T. Kohler)
Pan in My Ravel: Daphnis and Chloé (T. Kohler)
Tom thumb in Sleeping Beauty (M. Petipa, I. Liška)
Gremio in The Taming of the Shrew (J. Cranko)

Debut 2011/2012
Paco in Don Quijote (M. Petipa, new choreography by R. Barra, A. Gorski, Tradition)
The Knifethrower in The Girl and the Knifethrower (S. Sandroni)
2. Pas de trois in Goldberg-Variationen (J. Robbins)
Gods and Dogs (J. Kylián)

Debut 2012/2013
Joker in Choreartium (L. Massine)
3. Solo-Boy in Choreartium (L. Massine)
Birthday Offering (F. Ashton)
Epimetheus in Helden (T. Kohler)

Emma Barrowman.
Soloist

Emma Barrowman was born in Sherbrook/Canada. She received her dance education at the Royal Winnipeg Ballet School and gained important experience at the Cannes Jeune Ballet under the direction of Monique Loudières. At the Royal Winnipeg Ballet Company she danced in Swan Lake, Nutcracker and The Magic Flute by Mark Godden.

Emma Barrowman became an Apprentice of the Bavarian State Ballet in autumn 2006. One year later she became a member of the corps de ballet and was engaged as a soloist in the season 2010/2011.

Debut 2006/2007
Solo in Chamber Symphony (Childs)

Debut 2008/2009
Odaliske in Shéhérazade (M. Fokine)
Myrtha in Once Upon An Ever After (T. Kohler)
Zugvögel (J. Kylián), Kreation

Debut 2009/2010
Other Person in Artifact (W. Forsythe)
Bathilde and Myrtha in Giselle - Mats Ek (M. Ek)

Debut 2010/2011
Nymph in My Ravel: Daphnis and Chloé (T. Kohler)
Woman 1 in My Ravel: Whichever Way he Looks... (J. Mannes)
Pas de Six in The Taming of the Shrew (J. Cranko)
Lady of the Street in The Taming of the Shrew (J. Cranko)

Debut 2011/2012
The Girl in The Girl and the Knifethrower (S. Sandroni)
Gods and Dogs (J. Kylián)
Whore in The Taming of the Shrew (J. Cranko)

Debut 2012/2013
The friend's wife in The Moor's Pavane (José Limón)
Athena Parthenos in Helden (T. Kohler)

Mai Kono
Soloist

Mai Kono, born in Japan, started her dance education at the Hitomi Kikuchi Ballet Studio, and completed it at the Heinz-Bosl-Stiftung in Munich. During her young career she already won different kind of dance awards, such as the NBA Ballet Competition of Japan 2004, the Saitama Dance Competition of Japan 2005 and in 2007 she received the audience award at the Prix de Lausanne.

She was promoted to a Soloist at the beginning of the season 2011/12.

Debut 2010/2011
Chloé in My Ravel: Daphnis and Chloé (T. Kohler)
Fairy Variation and Princess Florine in Sleeping Beauty (M. Petipa, I. Liška)
Amor in Don Quijote (M. Petipa, new choreography by R. Barra, A. Gorski, Tradition)

Debut 2011/2012
Rocio in Don Quijote (M. Petipa, new choreography by R. Barra, A. Gorski, Tradition)
"The Chinese Bird" in The Nutcracker (J. Neumeier)

Debut 2012/2013
Gods and Dogs (J. Kylián)
5. Solo-Girl in Choreartium (L. Massine)
Pandora in Helden (T. Kohler)